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Get My Fair Lady Tickets

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Get My Fair Lady Tickets

Get My Fair Lady Tickets tickets for all performances and all cities during its nationwide tour. No matter if you love sitting up close, or just a little bit further back, Barry's Tickets has tickets to My Fair Lady Tickets to fit all budgets and best of all Great Seats, Great Prices! at checkout. Order your seats today and get ready for a splendid time at the theater.


Sub Headings
Event Date Venue Availabilty
My Fair Lady
Apr 24, 2019 - Aug 31, 2019
Vivian Beaumont Theatre - Lincoln Center
New York, NY
My Fair Lady - Preview
Apr 25, 2019 - May 05, 2019
Pan American Center
Las Cruces, NM
My Fair Lady
Mar 03, 2020 - Mar 08, 2020
Orpheum Theatre - Minneapolis
Minneapolis, MN
My Fair Lady
Mar 17, 2020 - Mar 22, 2020
Des Moines Civic Center
Des Moines, IA
My Fair Lady
Apr 14, 2020 - Apr 19, 2020
Uihlein Hall at Marcus Center
Milwaukee, WI
My Fair Lady
Apr 28, 2020 - May 17, 2020
KeyBank State Theatre - Playhouse Square Center
Cleveland, OH
My Fair Lady
May 26, 2020 - May 31, 2020
Dr. Phillips Center - Walt Disney Theater
Orlando, FL
My Fair Lady
Jun 12, 2020 - Jul 05, 2020
Dolby Theatre
Hollywood, CA
My Fair Lady
Jul 07, 2020 - Jul 12, 2020
San Diego Civic Theatre
San Diego, CA

How to get Get My Fair Lady Tickets

Get My Fair Lady Tickets Seating ChartTo begin your search for Get My Fair Lady Tickets, select the date that you would like to attend from the schedule above. The "View Tickets" tab will allow you to advance to the next process.

The next step will allow you to "filter results" via our My Fair Lady Tickets seating chart for Get My Fair Lady Tickets. Click on the map and scroll through the different sections of the theater all while viewing the stage from each location you click on. You can sort seats by price (Low to High or Hight to Low), rows and sections to find the perfect location to match your budget.

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More about My Fair Lady

My Fair Lady is a musical based upon George Bernard Shaw's Pygmalion and with book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The show's 1956 Broadway production was a smash hit, setting a new record for the longest run of any major theatre production in history. It was followed by a hit London production, a popular film version, and numerous revivals. It has been called "the perfect musical

Henry Higgins, an arrogant, irascible professor of phonetics, boasts to fellow linguist Colonel Pickering that he can train any woman to speak so properly that he could pass her off as a duchess. Pickering is intrigued by Higgins's boast and wagers that Higgins cannot make good on his claim. Higgins takes on the challenge. He chooses as his subject Eliza Doolittle, a poor girl with a strong Cockney accent whom he encounters selling flowers in Covent Garden. An intensive makeover of Eliza's speech, manners, and dress begins in preparation for her appearance at the Embassy Ball.

Complicating matters is Eliza's father, Alfred P. Doolittle (Stanley Holloway), a cheerfully amoral and drink-loving dustman. He shows up to extract money from Higgins, claiming that Higgins is compromising Eliza's virtue. Higgins is impressed by the man's natural gift for language and his brazen lack of moral values ("Can't afford 'em!"). So he flippantly recommends Doolittle to an American millionaire who is seeking a lecturer on moral values. In the end, Doolittle gets a surprise bequest of four thousand pounds a year from the millionaire. This raises him uncomfortably into middle-class respectability.

Meanwhile, Eliza endures speech tutoring, endlessly repeating phrases like "In Hertford, Hereford and Hampshire, hurricanes hardly ever happen" (to demonstrate that "h"s must be aspirated) and "The rain in Spain stays mainly in the plain" (to practice the "long a" phoneme). Just as things seem hopeless, she suddenly "gets it" after Higgins eloquently speaks of the glory of the English language. Thereafter her pronunciation is transformed into that of impeccable upper class English. For her first public tryout, Higgins takes her to Ascot Racecourse. There she makes a good impression with her polite manners but shocks everyone by her vulgar Cockney attitudes and slang (thus establishing one of the show's themes: good elocution is only "skin deep"). But she captures the heart of an eager young man named Freddy Eynsford-Hill.

The final test requires Eliza to pass as a lady at the Embassy Ball. She does this admirably, even fooling a rival of Higgins, a Hungarian phonetician named Zoltan Karpathy, into believing that Eliza was "born Hungarian." After the ball, Higgins's ungrateful boasting about his triumph and his pleasure that the experiment is now over leave Eliza feeling used and abandoned. She walks out on Higgins, leaving the clueless professor mystified by her ingratitude. But Higgins soon realizes his feelings for her: he has "grown accustomed to her face." When Eliza tentatively returns to him, the musical ends on an ambiguous moment of possible reconciliation between teacher and pupil.

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