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After a short-lived stint at the Berklee College of Music, where he had a "great learning experience, but not because of class," John Mayer set down roots in Atlanta, where his music career hit the ground running. After one year in Atlanta, he released his debut solo album, Inside Wants Out, in 1999. At the same time, he became a regular in the Atlanta club circuit, playing a steady stream of shows at venues like Eddie's Attic. An appearance in March 2000 at the South by Southwest Music Festival led to a recording contract with Aware Records, a subsidiary of Columbia. He began recording his major-label debut, Room for Squares, that fall with producer John Alagia, who had previously worked with artists like Dave Matthews and the Ben Folds Five.

Mayer's first album had been a decidedly acoustic effort; in contrast, Room for Squares featured a full electric band and showed the work of its producer with its funky hooks and an emphasis placed on Mayer's versatile, smooth voice, which bore more than just a stylistic resemblance to Dave Matthews. Columbia re-released Room for Squares in the summer of 2001, adding one bonus track, and also offered a very limited-edition two-CD set including a disc with two previously unreleased covers. Mayer's dedicated fan base grew substantially larger during his first cross-country tour to support the album, spawning a number of CD-R trading outlets through fan websites, as well as a successful live album, Any Given Thursday. Mayer's lucrative follow-up, 2004's Heavier Things, resulted in another Grammy, this time for Song of the Year. Looking to strip his sound down, he formed the John Mayer Trio with drummer Steve Jordan and bassist Pino Palladino. Their sold-out tour was documented on the 2005 release Try! John Mayer Trio Live in Concert.

Sheryl Crow's fresh, updated spin on classic roots rock made her one of the most popular mainstream rockers of the '90s. Her albums were loose and eclectic on the surface, yet were generally tied together by polished, professional songcraft. Crow's sunny, good-time rockers and world-weary ballads were radio staples for much of the '90s, and she was a perennial favorite at Grammy time. Although her songwriting style was firmly anchored to the rock tradition, she wasn't a slave to it -- her free-associative, reference-laden poetry could hardly have been the product of any era but the '90s. Her production not only kept pace with contemporary trends, but sometimes even pushed the envelope of what sounds could be heard on a classicist rock album, especially on her self-titled sophomore effort. All of this made Crow one of the most dependable stars of the decade, and she showed no signs of relinquishing her hard-won success in the new millennium.

Sheryl Suzanne Crow was born February 11, 1962, in Kennett, MO. Her parents had both performed in swing orchestras, her father on trumpet and her mother as a singer; her mother was also a piano teacher, and ensured that all her daughters learned the instrument starting in grade school. Crow wrote her first song at age 13, and majored in music at the University of Missouri, where she also played keyboards in a cover band called Cashmere. After graduating, she spent a couple of years in St. Louis working as a music teacher for autistic children. She sang with another cover band, P.M., by night, and also recorded local advertising jingles on the side. In 1986, Crow packed up and moved to Los Angeles to try her luck in the music business. She was able to land some more jingle-singing assignments, and got her first big break when she successfully auditioned to be a backup singer on Michael Jackson's international Bad tour. In concert, she often sang the female duet part on "I Just Can't Stop Loving You," and was inaccurately rumored by the tabloids to have been Jackson's lover. After spending two years on the road with Jackson, Crow resumed her search for a record deal, but found that record companies were only interested in making her a dance-pop singer, which was not at all to her taste.

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