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135 North Grand Avenue, Los Angeles, CA 90012

Ahmanson Theater Seating Chart
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Ahmanson Theatre Directions
Ahmanson Theatre from the Santa Ana 5 Freeway Northbound:
turn onto the Hollywood 101 Freeway North. Stay Ahmanson Theater Los Angeles extreme right lane (following signs for 110/Harbor Fwy), exit Grand Avenue and turn right on Grand Ave. Proceed one block. Parking is on the right Ahmanson Theater Los Angeles middle of the block, under the Music Center, just past Temple St.

Ahmanson Theatre From the Golden State 5 Freeway Southbound:
take the Los Angeles exit onto the 110 Freeway South. On the 110 get over to the left lane as soon as you can and exit at Hill St. Continue straight eight blocks on Hill, turn right on Temple St, and proceed one long block to Grand Ave. Turn left. Parking is on the right under the Music Center.

A Chorus Line Ahmanson Theatre Los Angeles
A Chorus Line is a musical with a book by James Kirkwood, Jr. and Nicholas Dante, lyrics by Edward Kleban, and music by Marvin Hamlisch.

The original Broadway production was an unprecedented box office and critical hit, receiving 12 Tony Award nominations and winning nine of them, in addition to the 1976 Pulitzer Prize for Drama. It ran for 6,137 performances, becoming the longest-running production in Broadway history up to that time. The show has enjoyed many successful productions worldwide and was revived on Broadway in 2006.

A Chorus Line Synopsis
At an audition for an upcoming Broadway production, director Zach and his assistant choreographer Larry put the gypsies through their paces. Every dancer is desperate for work ("I Hope I Get It"). After the first selection, 17 dancers remain. Zach tells them he is looking for a strong dancing chorus of four boys and four girls. He wants to learn more about them, so he tells them to introduce themselves. With reluctance, they reveal their pasts. The stories generally progress chronologically from early life experiences through adulthood to the end of a career.

The first candidate, Mike, explains that he is the youngest of 12 children. He recalls his first experience with dance, watching his sister's dance class when he was a pre-schooler ("I Can Do That"). Mike took her place one day when she refused to go to class - and he stayed. Bobby tries to hide the unhappiness of his childhood by making jokes. As he speaks, the 17 dancers have misgivings about this strange audition process and debate what they should reveal to Zach ("And..."), but since they all need the job, the session continues.

Zach is angered when he feels that the streetwise Sheila is not taking the audition seriously. Opening up, she reveals that her mother married at a young age and her father neither loved nor cared for them. When she was six, she realized that ballet was a relief from her family life. Bebe adds that, as she was not a beautiful child, she was also drawn to ballet, where she could feel beautiful. At the ballet, notes Maggie, someone is always there, unlike the father she has never had ("At the Ballet").

The scatter-brained Kristine is tone-deaf, and her lament that she could never "Sing!" is interrupted by her husband Al finishing her phrases. Mark, the youngest of the dancers relates his first experiences with pictures of the female anatomy and his first wet dream, and the other dancers share memories of adolescence ("Hello Twelve, Hello Thirteen, Hello Love"). Gregory speaks about his discovery of his homosexuality, and Diana recollects her horrible high school acting class ("Nothing"). Don remembers his first job at a nightclub, Richie recounts how he nearly became a kindergarten teacher, Judy reflects on her problematic childhood, and the 4'10" tall Connie rants on the problems of being short. Finally, the newly-buxom Val explains that talent doesn't count for everything with casting directors, and silicone can really help ("Dance: Ten; Looks: Three").

The dancers go downstairs to learn a song for the next section of the audition, but Cassie stays onstage to talk to Zach. She is a veteran gypsy who has had some notable successes as a soloist. They have a history together: Zach had cast her in a featured part previously, and they had lived together for several years. Zach tells Cassie that she is too good for the chorus and shouldn't be at this audition. But she hasn't been able to find solo work and is willing to "come home" to the chorus where she can at least express her passion for dance ("The Music and the Mirror"). Zach sends her downstairs to learn the dance combination.

Zach calls Paul on stage, and he emotionally relives his early career in a drag act, coming to terms with his manhood, homosexuality and sense of self. Cassie and Zach's complex relationship resurfaces ("One"). Zach confronts her, feeling that she is "dancing down," and they rehash what went wrong in their relationship and her career. Zach points to the good-but-not-great dancing of the rest of the cast, the gypsies who will probably never get out of the line. Cassie replies, "I'll take chorus, if you'll take me!" During a tap sequence, Paul falls injured and is carried off to the hospital: his career is over. Zach asks the remaining dancers what they will do when they can no longer dance. Whatever happens, they reply, they will be free of regret ("What I Did For Love"). The final eight dancers are selected: Cassie, Bobby, Diana, Judy, Val, Mike, Mark and Richie.

"One" (reprise/finale) begins with an individual bow for each of the 19 characters, their hodgepodge rehearsal clothes replaced by identical spangled gold costumes. As each dancer joins the group, it is suddenly difficult to distinguish one from the other; ironically, each character who was an individual to the audience is now an anonymous member of an ensemble.

A Chorus Line Song List

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