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Click the event link below to find Depeche Mode information or buy Depeche Mode Tickets
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EVENT |
DATE |
VENUE |
TICKETS |
| 1 |
Depeche Mode
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July 24, 2009 Friday - 7:30 PM |
Molson Amphitheatre Toronto, ON, CAN |
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| 2 |
Depeche Mode
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July 25, 2009 Saturday - 8:00 PM |
Bell Centre (End Stage) Montreal, QC, CAN |
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| 3 |
Depeche Mode
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July 28, 2009 Tuesday - 7:30 PM |
Nissan Pavilion Bristow, VA |
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| 4 |
Depeche Mode
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July 31, 2009 Friday - 7:30 PM |
Comcast Center-MA Mansfield, MA |
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| 5 |
Depeche Mode
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August 01, 2009 Saturday - TBA |
Borgata Casino Event Center (Reserved) Atlantic City, NJ |
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| 6 |
Depeche Mode
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August 03, 2009 Monday - 8:00 PM |
Madison Square Garden (End Stage) New York, NY |
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| 7 |
Depeche Mode
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August 04, 2009 Tuesday - 8:00 PM |
Madison Square Garden (End Stage) New York, NY |
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| 8 |
Depeche Mode
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August 10, 2009 Monday - 8:00 PM |
Key Arena (End Stage) Seattle, WA |
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| 9 |
Depeche Mode
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August 12, 2009 Wednesday - 7:30 PM |
Shoreline Amphitheatre Mountain View, CA |
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| 10 |
Depeche Mode
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August 14, 2009 Friday - 8:00 PM |
Cricket Wireless Amphitheatre Chula Vista, CA |
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| 11 |
Depeche Mode
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August 16, 2009 Sunday - 7:00 PM |
Hollywood Bowl Los Angeles, CA |
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| 12 |
Depeche Mode
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August 17, 2009 Monday - 7:30 PM |
Hollywood Bowl Los Angeles, CA |
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| 13 |
Depeche Mode
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August 19, 2009 Wednesday - 7:30 PM |
Honda Center (End Stage) Anaheim, CA |
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| 14 |
Depeche Mode
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August 20, 2009 Thursday - 6:30 PM |
Santa Barbara Bowl Santa Barbara, CA |
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| 15 |
Depeche Mode
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August 22, 2009 Saturday - 8:00 PM |
Pearl Concert Theater at Palms Casino (Reserved) Las Vegas, NV |
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| 16 |
Depeche Mode
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August 23, 2009 Sunday - 8:00 PM |
US Airways Center (End Stage) Phoenix, AZ |
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| 17 |
Depeche Mode
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August 25, 2009 Tuesday - 8:00 PM |
E Center (End Stage) West Valley City, UT |
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| 18 |
Depeche Mode
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August 27, 2009 Thursday - 8:00 PM |
Red Rocks Amphitheatre (All Reserved) Morrison, CO |
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| 19 |
Depeche Mode
|
August 29, 2009 Saturday - 8:00 PM |
Superpages.com Center Dallas, TX |
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| 20 |
Depeche Mode
|
August 30, 2009 Sunday - 7:30 PM |
Woodlands Pavilion-Cynthia Woods Mitchell Pavilion Woodlands, TX |
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| 21 |
Depeche Mode
|
September 01, 2009 Tuesday - 7:30 PM |
Aarons Amphitheatre at Lakewood Atlanta , GA |
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| 22 |
Depeche Mode
|
September 04, 2009 Friday - 7:30 PM |
Ford Amphitheatre Tampa Bay, FL |
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| 23 |
Depeche Mode
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September 05, 2009 Saturday - 8:00 PM |
Bank Atlantic Center (End Stage) Sunrise-Ft Lauderdale, FL |
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The roots of Depeche Mode dated to 1976, when Basildon, England-based keyboardists Vince Clarke and Andrew Fletcher first teamed to form the group No Romance in China. Depeche Mode proved short-lived, and by 1979 Clarke had formed French Look, an additional duo featuring guitarist/keyboardist Martin Gore; Fletcher soon signed on, and the group rechristened itself Composition of Sound. Initially, Clarke handled vocal chores, but in 1980 singer David Gahan was brought in to complete the lineup; after one final name change to Depeche Mode, the quartet jettisoned all instruments excluding their synthesizers, honing a slick, techno-based sound to showcase Clarke's catchy melodies.
After building a following on the London club scene, Depeche Mode debuted in 1980 with "Photographic," a track included on the Some Bizzare Album label compilation. After signing to Mute Records, they issued "Dreaming of Me" in early 1981; while neither the single nor its follow-up, "New Life," caused much of a stir, their third effort, "Just Can't Get Enough," became a Top Ten U.K. hit, and their 1981 debut LP, Speak and Spell, was also a success. Just as Depeche Mode appeared poised for a major commercial breakthrough, though, principal songwriter Clarke abruptly exited to form Yazoo with singer Alison Moyet, leaving the group's future in grave doubt.
As Gore grabbed the band's songwriting reins, the remaining trio recruited keyboardist Alan Wilder to fill the technological emptiness created by Clarke's departure; while 1982's A Broken Frame deviated only slightly from Depeche Mode's earlier work, Gore's ominous songs grew more assured and sophisticated by the time of 1983's Construction Time Again. Some Great Reward, issued the following year, was their artistic and commercial breakthrough, as Gore's dark, kinky preoccupations with spiritual doubt ("Blasphemous Rumours") and psychosexual manipulation ("Master and Servant") came to the fore; the egalitarian single "People Are People" was a major hit on both sides of the Atlantic, and typified the music's turn toward more industrial textures.
1986's atmospheric Black Celebration continued the trend toward grim melancholy, and further established the group as a major commercial force. After the superb single "Strangelove," Depeche Mode issued 1987's Music for the Masses; a subsequent sold-out tour yielded the 1989 double live set 101, as well as a concert film directed by the legendary D.A. Pennebaker. Still, despite an enormous fan base, the group was considered very much an underground cult phenomenon prior to the release of 1990's Violator, a Top Ten smash which spawned the hits "Enjoy the Silence," "Policy of Truth," and "Personal Jesus."
With the alternative music boom of the early 1990s, Depeche Mode come out as one of the world's most victorious acts, and their 1993 LP Songs of Faith & Devotion entered the charts in the number one slot. However, at the peak of their success, the group began to unravel; first Wilder exited in 1995, and then Gahan was the subject of a failed suicide attempt. After a four-year layoff, Depeche Mode continuing on as a trio released 1997's Ultra, which featured the hits "Barrel of a Gun" and "It's No Good." A year later, the band went on a tour in support of The Singles 1986/1998 greatest hits album. Depeche Mode played 64 shows in 18 countries for over a million fans. It also marked the end of a decade for the band. Each member took some considerable time off and would not regroup for another three years.
Exciter, the band's follow up to 1997's Ultra, was released in 2001. Singles such as "Dream On" and "I Feel Loved" did reasonably well. Two years later, Gahan issued his debut solo album, the dark, sultry Paper Monsters. Gore also followed suit by issuing his debut full-length, Counterfeit². Each member did their respective tours of the U.S. and Europe, however it wouldn't be long until Depeche Mode came back together. Playing the Angel was released in October 2005 and was produced by Ben Hillier.
Depeche Mode Concert Tour Dates
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